From the first page of A Second Chance at Dancing, we get the sense that Michael, the first-person narrator, is about to open up an inner emotional landscape that’s been long hidden. Too old for “coming of age” and too young for a “mid-life crisis,” Michael nonetheless occupies one of those transitional moments where all values seem up for grabs as he comes to terms with the existentialist meaning of life (or lack thereof). While the existentialist musings give an intellectual scaffold to A Second Chance at Dancing, the emotional weight is also full and authentic. If you want a conventional plot with good guys and bad guys and a ticking clock, this might not be for you. If you want something that leaves you thinking and feeling more deeply about human characters and the human condition, this book does that very, very well.