The bench and the lantern

high above the pueblo we walk
awaiting the late night rain

scrub oak and cactus sprawl
three musicians appear

on a bench on a tiny plaza
we dance, we part, we hear

a door closing a market stall
while far far below

in the halo mist of the pueblo
a figure stops to light

a lantern that flashes red and gold
and brings us back to touch

one more time
as the first
drops fall

(alternate title: As the first drops fall)

Any votes for original (“The bench and the lanterns”) vs. alternate (“As the first drops fall”) title?

* * * Click covers below for links * * *

BookCoverImage      

First Reflection (second step)

Thanks to readers who helped me with the first draft. Everyone liked Ver. 1 of the first stanza. Easy. Votes leaned toward the last line of Ver. 2, less conclusively. I dropped it on my sister’s painting and now have 3 versions of the last line, if anyone still wants to vote.

 

* * * Click covers below for links * * *

BookCoverImage      

 

First Reflection (voting is open)

#1 or #2

First reflection

deep in the night
lantern on a pier
lit and trembling
dark waves below

a voice, a shiver, a passing cloud,
a house with a garden
I can barely see

First reflection

deep in the night
lantern on a pier
lit and trembling
water at the base

a voice, a shiver, a passing cloud,
a house with a garden
I can barely trace

* * * Click covers below for links * * *

BookCoverImage      

Kyoto haikus

.  road to okini

the old woman stoops
weight of a thousand worries
she turns to and smiles

.  otagi-nenbutsu

stone buddhas pepper
the field, the temple, two claps
bend into a bow

.  gioji

a river, a wooden teahouse,
a painted face in the window
a princess worn and awaiting
a bamboo hewer’s return

* * * Click covers for more links * * *

BookCoverImage      

Just kill me

Everyone liked the second version of my previous slant haiku. JMN and Isha in particular liked the firmer closure. I think their observations were correct. As I was finalizing, though, I realized that they had enlightened me in reverse. I wanted a little opening in that closure, a little space for melancholia to leak in. But I did not want to revert to the rejected draft. So for now I have this. Just kill me.

or cp.

Addendum: I just re-read them and now I like the one everyone chose last time the best. Forgive me.

* * * Click covers for more links * * *

BookCoverImage      

Hero and Leander (voice)

I tried to do a voice recording of my latest poem. It was tricky getting it up on WordPress, as it seems I had to make it a video, upload it to YouTube, then post the YouTube link. Let’s see how it came out. Text below.

Hero and Leander (the lamp and the water)

I still walk to that lake, the surface now still,
absence of geometry, ache of tranquility,

a voice but a whisper
soothing, sad, a silver
thorn in the side of love.

What love creates, need destroys.

We put flowers on the table
at the changing of the season.

Then the rains came. We watched
through the kitchen window.
You turned out the lamp.

“I love you more than I need you,” I said.
“Now I know what that means.”
But need, the ache, the silver thorn,
will have its bloody day.

Time passes. Seasons change.

When I walk to the lake I stir the surface,
the glitter of sun, a dangerous swell,
my hand beginning to move
into place a geometry
of memories.

* * * Click covers for links * * *

BookCoverImage     

Hero and Leander (the lamp and the water)

I still walk to that lake, the surface now still,
absence of geometry, ache of tranquility,

a voice but a whisper
soothing, sad, a silver
thorn in the side of love.

What love creates, need destroys.

We put flowers on the table
at the changing of the season.

Then the rains came. We watched
through the kitchen window.
You turned out the lamp.

“I love you more than I need you,” I said.
“Now I know what that means.”
But need, the ache, the silver thorn,
will have its bloody day.

Time passes. Seasons change.

When I walk to the lake I stir the surface,
the glitter of sun, a dangerous swell,
my hand beginning to move
into place a geometry
of memories.

Poem by Gary Gautier
Painting by Cheryl Gautier

* * * Click covers for links * * *

BookCoverImage      

Which drops?

A little slant haiku. Which do you prefer? The first one (“my”), which orients the field more personally, or the second one (“a”), which orients the field more philosophically/metaphysically?

you
are the rain
drops

falling
on my stone
pillow

xxxx

you
are the rain
drops

falling
on a stone
pillow

* * * Click covers for links * * *

BookCoverImage    year-bfly-cover