A bit of Whitman

Walt Whitman’s robust spirit is an inspiration, a celebration of vitality and fellowship in every direction without shame or hesitation. It is a feeling for life that too many have forgotten, especially those who align with politics, left or right, those who need to shake off that dead snakeskin of politics and return to the heart’s direct embrace of the world and of each other

I know I am august,
I do not trouble my spirit to vindicate itself or be understood,
I see that the elementary laws never apologize,
(I reckon I behave no prouder than the level I plant my house by, after all.)

I exist as I am, that is enough,
If no other in the world be aware I sit content,
And if each and all be aware I sit content.

One world is aware and by far the largest to me, and that is myself,
And whether I come to my own to-day or in ten thousand or ten million years,
I can cheerfully take it now, or with equal cheerfulness I can wait.

My foothold is tenon’d and mortis’d in granite,
I laugh at what you call dissolution,
And I know the amplitude of time.

I am the poet of the Body and I am the poet of the Soul,
The pleasures of heaven are with me and the pains of hell are with me,
The first I graft and increase upon myself, the latter I translate into a new tongue.

I am the poet of the woman the same as the man,
And I say it is as great to be a woman as to be a man,
And I say there is nothing greater than the mother of men.

I chant the chant of dilation or pride,
We have had ducking and deprecating about enough …

(from “Song of Myself”)

poems for the coming age

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“Love’s Ragged Claws” review

“A foray into the human condition … Gabriel tells the story of several important relationships that unfolded through the course of his adult life  … complex, caring, and tinged with flaws and regrets … A well-written and touching read recommended for fans of character studies.”

D. Wallace Peach, author of The Necromancer’s DaughterThe Ferryman and the Sea Witch, and many more (https://mythsofthemirror.com/)

Love’s Ragged Claws on Amazon

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Exiting the archive

We were in a crowded place.

No, we were on a boat
hearing the slap of water.

No, we were in the jungle
on a B-movie set.

There is no we
in the archive.

There is only I
with the husk
of the world

of the

sunrise, sunset, no pillow and stone,
no moving stars of earthly time,
just saltaway hope and who knows what
lavender rose and jacaranda
wine too bitter for the glass.

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Ragged Claws Review

Lee Hall gives a new review of Faulkner-Wisdom Prize finalist novella, Love’s Ragged Claws.

“For a short read, Gary Gautier packs in so much …  I’m definitely urged to go back a few times and read it just to capture everything.”

See the full review at Lee Hall’s Book Reviews.

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Alice in pieces

Here’s a clip from Alice, a post-apocalyptic adult hippie fairy tale, now available online and in bookstores in New York, Chicago, New Orleans, Austin, and Guanajuato. (Cp. the opening scene here.)

xxx

John Wilson lifted one of his bushy eyebrows, and the black hairs came to attention. Alice thought of a black cat’s tail with the hairs standing in response to a threat.

“Your eyebrow looks like a black cat’s tail,” she said.

John Wilson reached up with a massive paw and touched his eyebrow, and then touched his equally bushy mustache, as if to compare the two. He looked for a moment like a distraught walrus sloshed in a button-down shirt. Then he went on.

“The fairies,” said John Wilson. “The hum went away by the pond last night. No hum for an hour and a half.” The fairies kept the whole of New Arcadia going. They were rarely visible but often audible, a humming that recalled the humming of bees restless to massacre the males and slaughter the other princesses to please their sister, the newly chosen queen. The fairies did not work in the fields or in the factory. They did not cook or clean. But it was they who wove a sense of destiny into New Arcadia. Without a sense of destiny there would be no going on, for there would be nowhere to go.

The fairies had no enemies – for how could destiny have an enemy? – save one. Ladybugs. Tiny orange specks with wings. Wings with tinier black dots. The ladybugs made no humming noise. No hint of massacres for the newly crowned queen. They just flittered in quiet beauty, careful to disturb no one, seen but not heard. Thus, no one, not Alice or Evelyn, not the kleptomaniac, not the mapmaker, not the white witch, not the rain king, not John Wilson, not even the sweeper as far as anyone could tell, could divine their purpose or what it was about them that touched the spleen of the fairies.

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Ex machina

fullness of heart
at first sight
sweet
.     calm
.          jagged
.               flowing
velvety as wine cream
.     sweet
.          calm
.               restless
the simplest of pleasures
a knit of human connection
a banquet of fruit and chocolate
deep and dark and bittersweet
and floating in the room
the candle now still
a time to depart
ex machina

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A message from Walt Whitman

I have heard what the talkers were talking, the talk of the beginning and the end
But I do not talk of the beginning or the end.
There was never any more inception than there is now,
Nor any more youth or age than there is now,
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.
Urge and urge and urge,
Always the procreant urge of the world.
. . .
Always a knit of identity, always distinction, always a breed of life.To elaborate is no avail, learn’d and unlearn’d feel that it is so.
. . .
Stout as a horse, affectionate, haughty, electrical,
I and this mystery here we stand.
(Song of Myself)

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The rains and the temple

Shiva’s giant trident
at Pasupatinath still wet,
a monkey, with child clinging
fast and dry to the belly,
eyes the pilgrim’s steps,
starts, reconsiders, decides
quickly for which tree
she is to run.

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Shortlisted for the Faulkner-Wisdom Poetry Prize

 

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BookLife and the HAL 9000

On Sept. 8, 2022, BookLife reviewed Alice, the post-apocalyptic adult hippie fairy tale you’ve all been reading (or are eager to download and read today). Here’s a clip from the review:

“A whimsical, fairytale-like quality … magnetic … a storybook world [with] a flavor not often seen.”

And Northwestern University’s Jeffrey Burgdorf ran it through his nefarious artificial intelligence (AI) machine and asked it to create a cover image. Below is the actual cover (left) and the AI cover image (right). Take your pick.


Burgdorf’s AI, by the way, gave Alice “the first ever 5-star Amazon review done entirely by artificial intelligence,” though I have no idea what mysterious feelings beating in that mechanical heart motivated the encomium.

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