Robert Gogan’s one-man show, “Strolling through Ulysses” (ongoing at The Stag’s Head pub and other venues, Dublin) is ideal for anyone from the James Joyce scholar to the intrepid reader who found the work impenetrable. The former will be engaged by how Gogan highlights certain layers – especially the potentially humorous ones – of that manifold work, and the latter will be delighted to find a perfectly accessible presentation of Ulysses as a piece of entertainment. Even those who have never tried the tome will have no trouble following the plot and pleasures of Gogan’s show. Mainly, for those of us who read the novel with a mixture of admiration and frustration, Gogan brings back the good memories without triggering the bad.
Probably the lynchpin of the show is Gogan’s delivery style – the facial expressions, the rhythm and pace, the lingering on key phrases from the book (e.g., “scrotum-tightening sea”) that are pregnant with humor and with deeper meaning at the same time. Part of the story’s pace is driven by the erratic transitions (“ok, let’s get back to…”; “anyway…”). This is no oversight but a reminder that perfect continuity was never the point in Joyce’s writing. Gogan teases us into enjoying the associative flow without getting anxious about “losing the thread.” That, indeed, might be the best learned secret to enjoying Joyce’s longer works.
If any improvement could be made, Gogan could perhaps use props and dynamic movement to better distinguish the characters. One could picture a bit more color and prancing about. The second act is more polished in this regard, especially in the excellent segments on Gerty and Molly. Gogan’s epilogue of contemporary criticism fit well and could even be extended a bit for my taste. But as I press to think of how to pull out more potential, even that pressure is a sign of the show’s strength. As in Ulysses itself, part of the richness lies in the sense that there are always, no matter how many readings you give, more hidden opportunities to be dug out of the text.
Thirty-minute walk through the center of Kilkenny to find a good spot.
Picked up a map of Ireland along the way. Finally, a good spot: cars going slow, space to pull over, across the street from a busy gas station. After an hour wait, which seemed a little long for such a spot, a thirtyish guy (Jer) picked me up, told me about his hurling team and the history of the landscapes as we made it to the coast and turned south. He took me past Waterford, past Dungarvan and Youghal.
Because both the hostel manager last night in Kilkenny and Jer today warned me of “yellow alert” weather for tonight and the weekend, I thought it best not to stop in those towns but to try to make it to Cork.
Jer dropped me in the cute little town of Killeagh, but no place to stand. I walked out toward Cork, but it became clear that a good place to stand was not near. And I didn’t want to get too far from town with the clouds forming. I walked back to the Killeagh grocery, found out about a bus to Cork, bought a discounted sandwich, shared it with a stray dog, and decided to stick out my “CORK” sign while I waited for the bus. The bus stop was the only place in the village to pull over; hence it had an endless stream of temporary parkers; thus, effectively, no place to pull over. I stuck out my sign anyway at a pedestrian cross with a traffic light. In less than five minutes, a work van stopped in the lane of traffic to gesture me in.
This is one of the weird things about hitchhiking. Right when you have a disastrous spot where no one can pull over without endangering multiple lives nearby, you get a ride. Like the time the Italian driver stopped his tour bus full of West Africans to pick me up in Brussels. Or the times in California where people stopped quickest on the worst ramps.
The driver would take me all the way into Cork, but I only understood about 10% of what he said. His dialect was much heavier than the Kilkenny dialect. He told me the name of his dialect, but he said it in dialect, so I have no idea what it is or how to transcribe it. I managed to pick up that he was going to do some masonry work in Cork, that only one of his many brothers and sisters had left their village, breaking his mom’s heart by moving to Canada. Oh, and also he thought the cost of cocaine was too high. It almost wasn’t worth having a drug habit any more. Like so many of my drivers, he went way out of his way to make sure he dropped me where I could walk to the city center and find a coffee shop with wifi.
. Such a half-lit room as I now share
. with no one I once shared with you, your color gold,
. eyes of sand, a glass tips over, a smell of hair,
. drips, drops of honey, wine, a tale half-told.
. Twenty years since in the reckless world I went
. traveling their trains and fields of sweet rose bay
. and silver-lined cities, nor do I lament
. the years not spent in your soft sway.
. For those twenty years are as a glass to hold
. that spot of time, you upon the marble red
. of Keats’ urn, forever young, forever bold
. upon the kiss, not broken by life’s procrustean bed.
. I too struggle in the urn-imagined light
. for a moment, then a flash, a color, icy black.
An Easter song and a moment of reflection: