As I try to think through both sides (and come to terms with my own ambivalence), I don’t see any good guys in the debate about removing the Confederate monuments in New Orleans. I share the underlying politics of the “removal” side – let’s call them the liberals. Namely, the values of the Confederacy in no way reflect our values today. In fact, the vast majority of people (white and black) I have known in my 50 years in New Orleans agree with that. Thus, removing purely political markers like the Liberty Monument makes sense. Changing selected street names – no problem. But I am uncomfortable with the cleansing of art history, as if art history has no value beyond politics and must be purged to suit today’s political values. For example, the century-old Beauregard sculpture’s lines and shadowed cuts and grandeur impressed me long before I knew who was on the horse. It certainly never gave me the slightest pro-Confederate feeling. If it had been quietly renamed “The Unknown Union Soldier,” most could still have enjoyed the aesthetics and most native New Orleanians would have been none the wiser. (My experience is that outsiders coming in are more aware of the political side and natives are more likely aware of these things as the “furniture” they grew up with.) So my concerns on this side are these:
(1) Where does the cultural cleansing of historical-register artifacts from centuries past stop? If you could give those who ask this question some reasonable sense of the endgame before the steamroller (as they see it) starts rolling, it would go a long way toward alleviating anxiety and opening a dialogue. At least it seems a fair question to ask.
(2) How does “us vs them” identity politics ever get us back to the “all-in-this-together” model of Martin Luther King and Mary Wollstonecraft, Frederick Douglass and Olaudah Equiano, Gandhi and Mandela, all of whom placed shared humanness at the center of their visions? Sectioning off white, male, black, female, etc., reifying those characteristics and prejudging people accordingly, seems to keep us on the wrong path.
Pro-monument voices – let’s call them the conservatives here – have, for the most part, been even worse. All the waving of Confederate flags and “Southern pride,” in this context, suggests that they really do still believe in the lost cause of Confederate values. This is almost mind-boggling. Even the ones who complain about “erasing history” seem to be clinging to the political history of a vicious past. I haven’t heard every voice, but has no one disavowed the political values of the Confederacy in no uncertain terms and made the case that art history may have some small value that goes beyond politics?
Removal of the Liberty Monument was an easy call. Removal of the Jefferson Davis statue should also have been an easy compromise, as any art historical significance it had beyond its political point seemed slight. But Lee and Beauregard were on the National Historical Register for a reason, and that reason is not because the National Historical Register favors Confederate values. I would like to think it has something to do with preserving art history as, to some extent, valuable in its own right, irrespective of politics.
In the end, maybe removal of all the monuments was a good thing. I haven’t really canvassed all the neighborhoods to see what people were actually thinking, and I might be swayed by more voices on the ground. I suspect, though, that the most public voices on both sides represent their own fairly small but very active political circles. But each side seems to thrive in its own way on polarization, ready to shut its ears and throw everything under the bus to make its political point. This makes me think that maybe politics itself is the problem. Maybe we should throw politics under the bus …